Dear Anastasia,

suicideblonde:

The best tribute to Roger Ebert would be to read the words about film he wrote.  I’m going to go through the posts bohemea made last year that quoted his best reviews and reblogged them today.

bohemea:

As Rhett tells Scarlett in a key early scene, “You need kissing badly. That’s what’s wrong with you. You should be kissed, and often, and by someone who knows how.” For “kissed,” substitute the word you’re thinking of. Dialogue like that reaches something deep and fundamental in most people; it stirs their fantasies about being brought to sexual pleasure despite themselves. 

- Roger Ebert on Gone With the Wind

(Source: rogerebert.suntimes.com)

bohemea:

So much has been written about those few words at the end that Bob whispers into Charlottes’ ear. We can’t hear them. They seem meaningful for both of them. Coppola said she didn’t know. It wasn’t scripted. Advanced sound engineering has been used to produce a fuzzy enhancement. Harry Caul of The Conversation would be proud of it, but it’s entirely irrelevant. Those words weren’t for our ears. Coppola (1) didn’t write the dialog, (2) didn’t intentionally record the dialogue, and (3) was happy to release the movie that way, so we cannot hear. Why must we know? Do we need closure? This isn’t a closure kind of movie. We get all we need in simply knowing they share a moment private to them, and seeing that it contains something true before they part forever.

- Roger Ebert on Lost In Translation

(Source: rogerebert.suntimes.com, via suicideblonde)

(Source: vicesandpleasures, via theglitterguide)

(Source: narratslab, via girlsgotafacelikemurder)

froufroufashionista:

lovely curves (via Faire Frou Frou // Alison Rubke (fairefroufrou) on Pinterest)

(Source: edithwithgooglyeyes)